Sony PXW-FS7 4K XDCAM Camcorder
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The Sony PXW-FS7 is a 4K Super 35mm Exmor CMOS sensor XDCAM camera with α Mount lens system compatible with wide variety of E-Mount and A-Mount lenses, 4K/2K RAW and XAVC recording options.
Features
Ergonomic grip design and adjustable arm and Viewfinder system
The PXW-FS7 grip, designed for easy handling and operability, is the result of exhaustive consultation with videographers and cinematographers, as well as the production of various prototypes. The shape supports long periods of camera use and flexibly accommodates subtle differences among various users' gripping styles. The angle of the grip can be easily adjusted with the press of a button. In addition to a zoom button and Rec Start/Stop, the grip also has several programmable buttons that can be customized for easy access to any other functions such as the expanded focus function. The length of the arm section of the PXW-FS7 can be adjusted just by turning a knob. Another knob at the joint makes it easy to adjust the angle of the camera. So a user can choose a comfortable style that suits his or her physique and shooting position.
Easy settings during one-man operation
The Peaking and Zebra function buttons and contrast knob are positioned on the side of the PXW-FS7 viewfinder for easy adjustment of focus, contrast and exposure. Also, by turning a single knob, the position of the finder can be set, allowing for degrees of freedom. The viewfinder system is designed that even people with a dominant left eye can use it comfortably.
Dust-proof, drip-proof design for use even in harsh environments
The body of the PXW-FS7 is constructed to withstand tough conditions, with buttons, dials and other parts specially sealed to prevent dust and water spray from entering. Also, the air passageways from the cooling fan are separated from the interior of the camera.
Built-in Multi-Interface (MI) Shoe
The PXW-FS7 is equipped with a Multi-Interface (MI) Shoe that supports connection to wireless microphone packages such as the UWP-D11 or UWP-D12 (sold separately). When connected to the shoe, the HVL-LBPC light (optional) can be turned on or off from the camera, and power and audio connections are provided to the UWP-D11 or UWP-D12 without cables.
Equipped with high-sensitivity 4K Super 35mm Exmor CMOS sensor
The PXW-FS7 is equipped with a Super 35mm CMOS image sensor with approximately 11.6 million total pixels (4352 x 2662) and 8.9 million effective pixels. The high image readout speed of the image sensor allows the PXW-FS7 to support 4K motion-picture shooting and Super Slow Motion. The sensor also realizes a high sensitivity of ISO2000 and a wide dynamic range of 14 stops. Thanks to its full-pixel readout capability without pixel binning and sophisticated camera processing, jaggies and moire. are minimized.
Internal recording in 4K resolution up to 60fps
The PXW-FS7 supports internal recording at 4K resolution as well as a wide range of frame rates (59.94P, 50P, 29.97P, 25P and 23.98P). When viewed on a 4K monitor, footage shot in 4K is reproduced so clearly down to the finest details that it gives a viewer the illusion of actually being within the scene. When viewed on a Full HD monitor, 4K footage boasts even higher resolution than footage shot in Full HD.
Super Slow Motion continuous recording is possible
The PXW-FS7 offers continuous recording at Full HD image quality and a frame rate of up to 180 fps. This makes it possible to attain up to 7.5x Super Slow Motion when played back at 23.98 fps. Furthermore, support for unlimited shooting at Super Slow Motion means no more mistimed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want.
α Mount System for a wide selection of lenses and E-mount that is suitable for movie shooting
The PXW-FS7 incorporates the α Mount System, with an E-mount lens mount. This is especially useful for motion-picture shooting because the system supports power driven silent auto focus, iris control, power zoom and more, as well as SteadyShot image stabilization and other functions. Moreover, the E-mount system's short flange-back distance (the distance from the lens-mounting surface to the image sensor) enables use of A-mount lenses via LA-EA4 lens adaptor, as well as various other lenses via third-party adaptors. The E-mount system thereby makes it possible to take advantage of a wealth of lens resources suitable for creative, versatile video expression.
Supports various formats, including XAVC Intra and Long GOP
The PXW-FS7 supports two formats, XAVC and MPEG-2 HD 422, which can be selected to suit the application. Two XAVC compression systems (Intra and Long GOP) are provided through an H.264AVC codec. Intra supports recording with 4:2:2 10-bit sampling for 4K and Full HD, as well as a high bit rate of up to 600 Mbps. In Long GOP, image quality and recording time are balanced to allow Full HD recording in 1080/50P with 4:2:2 10-bit sampling at only 50 Mbps, making this format suitable for longer duration shooting. Support is also provided for the MPEG2 HD 422 recording format, which is mainly used at broadcast stations. Supported formats and bit rates are indicated below.
Support for S-Gamut3.Cine/S-Log3, SGamut3/S-Log3 and other log curves
The PXW-FS7 supports such log gamma curves as S-Gamut3. Cine/S-Log3 and S-Gamut3/S-Log3. Due to the fact that 18% grey is set at a bright level, S-Log3 is noted for delivering a wider dynamic range than the 1300% achieved by S-log2 incorporated in cameras such as the NEX-FS700, a difference equal to 1.5 stops. The log gamma itself is close to Cineon log, so colour correction is easier to perform and it is possible to achieve cinematic expression with the look of film. In addition, compared to the colour gamut of S-Gamut3. Cine, which is geared toward reproducing the wide colour gamut of DCI-P2 colour space used in digital cinema, the colour gamut of S-Gamut3 is geared toward the reproduction of almost all actual colours, and is thereby suitable for archival purposes.
Extension Unit XDCA-FS7 for shooting support
Extension Unit XDCA-FS7 can be connected directly to the PXW-FS7K to enable the use of functions that support the operator's shooting style or workflow, including Apple ProRes 422* recording to an XQD card in the camera.
Built-in ND filter unit
ND filters for adjusting the amount of light are provided in a built-in ND filter unit. This allows shooting to be done with a shallow depth of field without having to stop down the iris, even under bright conditions. The settings are Clear, 1/4 (2eV), 1/16 (4eV) and 1/64 (6eV).
Two XQD media slots support simultaneous and relay recording
The PXW-FS7 has two XQD card slots that enable simultaneous and relay recording. During relay recording, when one medium becomes full, recording continues automatically to the other media. During simultaneous recording, not only can the same footage be recorded on both channels at the same time, but also one channel can be used for random shooting while the other is being used for continuous recording as backup.
RAW output for external 4K/2K RAW recording
The FXW-FS7's FS RAW Interface that can be connected to an HXR-IFR5 interface unit and RAW AXS-R5 recorder to enable external 4K/2K RAW recording. The interface also allows the use of compatible third-party external recorders. Full HD footage shot with the unit is time code-synchronized to allow offline editing of the content.
Support for multi-camera shooting
Precise timecode synchronization provided by Genlock and Timecode In/Out functions in the XDCA-FS7 Extension Unit enable multi-camera operations.
Catalyst Browse software from Sony
Free clip management tool for both PC & Mac that supports all Sony professional formats.
Review footage on location, add metadata and review colour corrections.
Seamless upgrade to advanced Catalyst Prepare media preparation tool.
The PXW-FS7 grip, designed for easy handling and operability, is the result of exhaustive consultation with videographers and cinematographers, as well as the production of various prototypes. The shape supports long periods of camera use and flexibly accommodates subtle differences among various users' gripping styles. The angle of the grip can be easily adjusted with the press of a button. In addition to a zoom button and Rec Start/Stop, the grip also has several programmable buttons that can be customized for easy access to any other functions such as the expanded focus function. The length of the arm section of the PXW-FS7 can be adjusted just by turning a knob. Another knob at the joint makes it easy to adjust the angle of the camera. So a user can choose a comfortable style that suits his or her physique and shooting position.
Easy settings during one-man operation
The Peaking and Zebra function buttons and contrast knob are positioned on the side of the PXW-FS7 viewfinder for easy adjustment of focus, contrast and exposure. Also, by turning a single knob, the position of the finder can be set, allowing for degrees of freedom. The viewfinder system is designed that even people with a dominant left eye can use it comfortably.
Dust-proof, drip-proof design for use even in harsh environments
The body of the PXW-FS7 is constructed to withstand tough conditions, with buttons, dials and other parts specially sealed to prevent dust and water spray from entering. Also, the air passageways from the cooling fan are separated from the interior of the camera.
Built-in Multi-Interface (MI) Shoe
The PXW-FS7 is equipped with a Multi-Interface (MI) Shoe that supports connection to wireless microphone packages such as the UWP-D11 or UWP-D12 (sold separately). When connected to the shoe, the HVL-LBPC light (optional) can be turned on or off from the camera, and power and audio connections are provided to the UWP-D11 or UWP-D12 without cables.
Equipped with high-sensitivity 4K Super 35mm Exmor CMOS sensor
The PXW-FS7 is equipped with a Super 35mm CMOS image sensor with approximately 11.6 million total pixels (4352 x 2662) and 8.9 million effective pixels. The high image readout speed of the image sensor allows the PXW-FS7 to support 4K motion-picture shooting and Super Slow Motion. The sensor also realizes a high sensitivity of ISO2000 and a wide dynamic range of 14 stops. Thanks to its full-pixel readout capability without pixel binning and sophisticated camera processing, jaggies and moire. are minimized.
Internal recording in 4K resolution up to 60fps
The PXW-FS7 supports internal recording at 4K resolution as well as a wide range of frame rates (59.94P, 50P, 29.97P, 25P and 23.98P). When viewed on a 4K monitor, footage shot in 4K is reproduced so clearly down to the finest details that it gives a viewer the illusion of actually being within the scene. When viewed on a Full HD monitor, 4K footage boasts even higher resolution than footage shot in Full HD.
Super Slow Motion continuous recording is possible
The PXW-FS7 offers continuous recording at Full HD image quality and a frame rate of up to 180 fps. This makes it possible to attain up to 7.5x Super Slow Motion when played back at 23.98 fps. Furthermore, support for unlimited shooting at Super Slow Motion means no more mistimed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want.
α Mount System for a wide selection of lenses and E-mount that is suitable for movie shooting
The PXW-FS7 incorporates the α Mount System, with an E-mount lens mount. This is especially useful for motion-picture shooting because the system supports power driven silent auto focus, iris control, power zoom and more, as well as SteadyShot image stabilization and other functions. Moreover, the E-mount system's short flange-back distance (the distance from the lens-mounting surface to the image sensor) enables use of A-mount lenses via LA-EA4 lens adaptor, as well as various other lenses via third-party adaptors. The E-mount system thereby makes it possible to take advantage of a wealth of lens resources suitable for creative, versatile video expression.
Supports various formats, including XAVC Intra and Long GOP
The PXW-FS7 supports two formats, XAVC and MPEG-2 HD 422, which can be selected to suit the application. Two XAVC compression systems (Intra and Long GOP) are provided through an H.264AVC codec. Intra supports recording with 4:2:2 10-bit sampling for 4K and Full HD, as well as a high bit rate of up to 600 Mbps. In Long GOP, image quality and recording time are balanced to allow Full HD recording in 1080/50P with 4:2:2 10-bit sampling at only 50 Mbps, making this format suitable for longer duration shooting. Support is also provided for the MPEG2 HD 422 recording format, which is mainly used at broadcast stations. Supported formats and bit rates are indicated below.
Support for S-Gamut3.Cine/S-Log3, SGamut3/S-Log3 and other log curves
The PXW-FS7 supports such log gamma curves as S-Gamut3. Cine/S-Log3 and S-Gamut3/S-Log3. Due to the fact that 18% grey is set at a bright level, S-Log3 is noted for delivering a wider dynamic range than the 1300% achieved by S-log2 incorporated in cameras such as the NEX-FS700, a difference equal to 1.5 stops. The log gamma itself is close to Cineon log, so colour correction is easier to perform and it is possible to achieve cinematic expression with the look of film. In addition, compared to the colour gamut of S-Gamut3. Cine, which is geared toward reproducing the wide colour gamut of DCI-P2 colour space used in digital cinema, the colour gamut of S-Gamut3 is geared toward the reproduction of almost all actual colours, and is thereby suitable for archival purposes.
Extension Unit XDCA-FS7 for shooting support
Extension Unit XDCA-FS7 can be connected directly to the PXW-FS7K to enable the use of functions that support the operator's shooting style or workflow, including Apple ProRes 422* recording to an XQD card in the camera.
Built-in ND filter unit
ND filters for adjusting the amount of light are provided in a built-in ND filter unit. This allows shooting to be done with a shallow depth of field without having to stop down the iris, even under bright conditions. The settings are Clear, 1/4 (2eV), 1/16 (4eV) and 1/64 (6eV).
Two XQD media slots support simultaneous and relay recording
The PXW-FS7 has two XQD card slots that enable simultaneous and relay recording. During relay recording, when one medium becomes full, recording continues automatically to the other media. During simultaneous recording, not only can the same footage be recorded on both channels at the same time, but also one channel can be used for random shooting while the other is being used for continuous recording as backup.
RAW output for external 4K/2K RAW recording
The FXW-FS7's FS RAW Interface that can be connected to an HXR-IFR5 interface unit and RAW AXS-R5 recorder to enable external 4K/2K RAW recording. The interface also allows the use of compatible third-party external recorders. Full HD footage shot with the unit is time code-synchronized to allow offline editing of the content.
Support for multi-camera shooting
Precise timecode synchronization provided by Genlock and Timecode In/Out functions in the XDCA-FS7 Extension Unit enable multi-camera operations.
Catalyst Browse software from Sony
Free clip management tool for both PC & Mac that supports all Sony professional formats.
Review footage on location, add metadata and review colour corrections.
Seamless upgrade to advanced Catalyst Prepare media preparation tool.
Specifications
Camera
Image Device : Super 35mm Single-Chip Exmor CMOS
Effective Picture Elements - 17:9 4096 (H) x 2160 (V), 16:9 3840 (H) x 2160 (V)
Signal-to-Noise Ratio : 57 dB (Y)
Sensitivity :
2000 lx, 89.9% reflectance - T14 (3840 x 2160/23.98p mode 3200K)
ISO Sensitivity - ISO 2000 (S-Log3 Gamma D55 Light source)
Minimum Illumination : 0.7 lux : +18dB, 23.98P, Shutter OFF, ND Clear, F1.4
Signal System : NTSC / PAL
Built-in Filters : Clear, 1/4, 1/16, 1/64
LCD Monitor : 8.8 cm (3.5 in), Approx. 1.56M dots
Speaker : Monaural
Shutter Speed : 1/3 to 1/9000 of a sec
White Balance : Preset, Memory A, Memory B (1500K-50000K)/ATW
Gain Selection : -3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve : STD, HG, User, S-log3
Shooting Formats
4K 4096 x 2160 - 12-bit RAW
UHD 3840 x 2160 - 10-bit 4:2:2 XAVC-I, 8-bit 4:2:0 XAVC-L
2K 2048 x 1080 - 12-bit Raw
HD 1920 x 1080 - 10-bit 4:2:2 XAVC-I, 10-bit 4:2:2 XAVC-L, MPEG2 4:2:2
HD 1280 x 720 - MPEG2 4:2:2
Audio Recording Format : LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
Recording Formats
XAVC-I QFHD MPEG-4 H.264/AVC -
59.94P CBG, bit rate 600 Mb/s
50P CBG, bit rate 500 Mb/s
29.97P CBG, bit rate 300 Mb/s
23.98P CBG, bit rate 240 Mb/s
25P CBG, bit rate 250 Mb/s
XAVC-I HD MPEG-4 H.264/AVC -
59.94P VBR, maximum bit rate 222 Mb/s
50P VBR, maximum bit rate 185 Mb/s
59.94i VBR, maximum bit rate 111 Mb/s
50i VBR, maximum bit rate 112 Mb/s
29.97p VBR, maximum bit rate 111 Mb/s
23.98p VBR, maximum bit rate 89 Mb/s
25p VBR, maximum bit rate 112 Mb/s
XAVC-L QFHD MPEG-4 H.264/AVC -
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s
XAVC-L HD 50 MPEG-4 H.264/AVC - VBR, maximum bit rate 50 Mb/s
XAVC-L HD 35 MPEG-4 H.264/AVC - VBR, maximum bit rate 35 Mb/s
XAVC-L HD 25 MPEG-4 H.264/AVC - VBR, maximum bit rate 25 Mb/s
MPEG-2 Long GOP - CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL
XAVC-I QFHD - 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I HD - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L QFHD 50 - 3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L 35 - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
MPEG-2 Long GOP -
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Recording Frame Rate
XAVC-I QFHD - 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I HD - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L QFHD - 3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L HD 50 - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 35 - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 25 - 1920 x 1080/59.94i, 50i
MPEG-2 Long GOP MPEG HD422 ;
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Maximum Recording Time
XAVC-I mode QFHD 59.94p -
When using QD-G128A (128 GB) Approx. 22 minutes
When using QD-G64A (64 GB) Approx. 11 minutes
XAVC-I mode QFHD 50p -
When using QD-G128A (128 GB) Approx. 26 minutes
When using QD-G64A (64 GB) Approx. 13 minutes
XAVC-I mode QFHD 29.97p -
When using QD-G128A (128 GB) Approx. 44 minutes
When using QD-G64A (64 GB) Approx. 22 minutes
XAVC-I mode QFHD 23.98p -
When using QD-G128A (128 GB) Approx. 55 minutes
When using QD-G64A (64 GB) Approx. 27 minutes
XAVC-I mode QFHD 25p -
When using QD-G128A (128 GB) Approx. 52 minutes
When using QD-G64A (64 GB) Approx. 26 minutes
XAVC-I mode HD 59.94p -
When using QD-G128A (128 GB) Approx. 59 minutes
When using QD-G64A (64 GB) Approx. 30 minutes
XAVC-I mode HD 50p -
When using QD-G128A (128 GB) Approx. 71 minutes
When using QD-G64A (64 GB) Approx. 35 minutes
XAVC-I mode HD 59.94i -
When using QD-G128A (128 GB) Approx. 118 minutes
When using QD-G64A (64 GB) Approx. 59 minutes
XAVC-I mode HD 50i -
When using QD-G128A (128 GB) Approx. 141 minutes
When using QD-G64A (64 GB) Approx. 70 minutes
XAVC-I mode HD 29.97p -
When using QD-G128A (128 GB) Approx. 118 minutes
When using QD-G64A (64 GB) Approx. 59 minutes
XAVC-I mode HD 23.98pM/b -
When using QD-G128A (128 GB) Approx. 147 minutes
When using QD-G64A (64 GB) Approx. 74 minutes
XAVC-I mode HD 25p -
When using QD-G128A (128 GB) Approx. 141 minutes
When using QD-G64A (64 GB) Approx. 70 minutes
XAVC-L mode QFHD 59.94p/50p -
When using QD-G128A (128 GB) Approx. 87 minutes
When using QD-G64A (64 GB) Approx. 44 minutes
XAVC-L mode QFHD 29.97p/23.98p/25p -
When using QD-G128A (128 GB) Approx. 131 minutes
When using QD-G64A (64 GB) Approx. 66 minutes
XAVC-L 50 mode -
When using QD-G128A (128 GB) Approx. 262 minutes
When using QD-G64A (64 GB) Approx. 131 minutes
XAVC-L 35 mode -
When using QD-G128A (128 GB) Approx. 374 minutes
When using QD-G64A (64 GB) Approx. 187 minutes
XAVC-L 25 mode -
When using QD-G128A (128 GB) Approx. 524 minutes
When using QD-G64A (64 GB) Approx. 262 minutes
MPEG HD422 mode -
When using QD-G128A (128 GB) Approx. 262 minutes
When using QD-G64A (64 GB) Approx. 131 minutes
Media
Media Card Slots : 2 x XQD, 1 x SD (for configuration data only)
Input and Output Connectors
Audio Input : 2 x 3-pin XLR, Line/mic/mic +48
Mic Reference : -40. -50. -60 dBu, SDI Output, 2 x BNC HD/3G-SDI, SMPTE 292M/424M/425M
HDMI 2.0 : 1 x Type A
USB : USB device, miniB
Headphone : 1 x Stereo mini jack, -16 dBu 16 Ohm
Remote : Stereo mini jack (D2.5 mm)
Power
Power Requirement : 12 VDC
Power Consumption : Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Battery Operating Time :
BP-U30 Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U60 Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U90 Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
General
Temperature : Operating 0 to 40oC (32 to 104oF), Storage -4 to 40oC (-4 to 140oF)
Dimensions : 156 x 239 x 247 mm (6.14 x 9.41 x 9.72 in)
Weight :
2.0 kg (4.4 lb) Body Only
4.4 kg (9.9 lb) Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card
Image Device : Super 35mm Single-Chip Exmor CMOS
Effective Picture Elements - 17:9 4096 (H) x 2160 (V), 16:9 3840 (H) x 2160 (V)
Signal-to-Noise Ratio : 57 dB (Y)
Sensitivity :
2000 lx, 89.9% reflectance - T14 (3840 x 2160/23.98p mode 3200K)
ISO Sensitivity - ISO 2000 (S-Log3 Gamma D55 Light source)
Minimum Illumination : 0.7 lux : +18dB, 23.98P, Shutter OFF, ND Clear, F1.4
Signal System : NTSC / PAL
Built-in Filters : Clear, 1/4, 1/16, 1/64
LCD Monitor : 8.8 cm (3.5 in), Approx. 1.56M dots
Speaker : Monaural
Shutter Speed : 1/3 to 1/9000 of a sec
White Balance : Preset, Memory A, Memory B (1500K-50000K)/ATW
Gain Selection : -3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve : STD, HG, User, S-log3
Shooting Formats
4K 4096 x 2160 - 12-bit RAW
UHD 3840 x 2160 - 10-bit 4:2:2 XAVC-I, 8-bit 4:2:0 XAVC-L
2K 2048 x 1080 - 12-bit Raw
HD 1920 x 1080 - 10-bit 4:2:2 XAVC-I, 10-bit 4:2:2 XAVC-L, MPEG2 4:2:2
HD 1280 x 720 - MPEG2 4:2:2
Audio Recording Format : LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
Recording Formats
XAVC-I QFHD MPEG-4 H.264/AVC -
59.94P CBG, bit rate 600 Mb/s
50P CBG, bit rate 500 Mb/s
29.97P CBG, bit rate 300 Mb/s
23.98P CBG, bit rate 240 Mb/s
25P CBG, bit rate 250 Mb/s
XAVC-I HD MPEG-4 H.264/AVC -
59.94P VBR, maximum bit rate 222 Mb/s
50P VBR, maximum bit rate 185 Mb/s
59.94i VBR, maximum bit rate 111 Mb/s
50i VBR, maximum bit rate 112 Mb/s
29.97p VBR, maximum bit rate 111 Mb/s
23.98p VBR, maximum bit rate 89 Mb/s
25p VBR, maximum bit rate 112 Mb/s
XAVC-L QFHD MPEG-4 H.264/AVC -
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s
XAVC-L HD 50 MPEG-4 H.264/AVC - VBR, maximum bit rate 50 Mb/s
XAVC-L HD 35 MPEG-4 H.264/AVC - VBR, maximum bit rate 35 Mb/s
XAVC-L HD 25 MPEG-4 H.264/AVC - VBR, maximum bit rate 25 Mb/s
MPEG-2 Long GOP - CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL
XAVC-I QFHD - 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I HD - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L QFHD 50 - 3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L 35 - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
MPEG-2 Long GOP -
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Recording Frame Rate
XAVC-I QFHD - 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I HD - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L QFHD - 3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L HD 50 - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 35 - 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 25 - 1920 x 1080/59.94i, 50i
MPEG-2 Long GOP MPEG HD422 ;
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Maximum Recording Time
XAVC-I mode QFHD 59.94p -
When using QD-G128A (128 GB) Approx. 22 minutes
When using QD-G64A (64 GB) Approx. 11 minutes
XAVC-I mode QFHD 50p -
When using QD-G128A (128 GB) Approx. 26 minutes
When using QD-G64A (64 GB) Approx. 13 minutes
XAVC-I mode QFHD 29.97p -
When using QD-G128A (128 GB) Approx. 44 minutes
When using QD-G64A (64 GB) Approx. 22 minutes
XAVC-I mode QFHD 23.98p -
When using QD-G128A (128 GB) Approx. 55 minutes
When using QD-G64A (64 GB) Approx. 27 minutes
XAVC-I mode QFHD 25p -
When using QD-G128A (128 GB) Approx. 52 minutes
When using QD-G64A (64 GB) Approx. 26 minutes
XAVC-I mode HD 59.94p -
When using QD-G128A (128 GB) Approx. 59 minutes
When using QD-G64A (64 GB) Approx. 30 minutes
XAVC-I mode HD 50p -
When using QD-G128A (128 GB) Approx. 71 minutes
When using QD-G64A (64 GB) Approx. 35 minutes
XAVC-I mode HD 59.94i -
When using QD-G128A (128 GB) Approx. 118 minutes
When using QD-G64A (64 GB) Approx. 59 minutes
XAVC-I mode HD 50i -
When using QD-G128A (128 GB) Approx. 141 minutes
When using QD-G64A (64 GB) Approx. 70 minutes
XAVC-I mode HD 29.97p -
When using QD-G128A (128 GB) Approx. 118 minutes
When using QD-G64A (64 GB) Approx. 59 minutes
XAVC-I mode HD 23.98pM/b -
When using QD-G128A (128 GB) Approx. 147 minutes
When using QD-G64A (64 GB) Approx. 74 minutes
XAVC-I mode HD 25p -
When using QD-G128A (128 GB) Approx. 141 minutes
When using QD-G64A (64 GB) Approx. 70 minutes
XAVC-L mode QFHD 59.94p/50p -
When using QD-G128A (128 GB) Approx. 87 minutes
When using QD-G64A (64 GB) Approx. 44 minutes
XAVC-L mode QFHD 29.97p/23.98p/25p -
When using QD-G128A (128 GB) Approx. 131 minutes
When using QD-G64A (64 GB) Approx. 66 minutes
XAVC-L 50 mode -
When using QD-G128A (128 GB) Approx. 262 minutes
When using QD-G64A (64 GB) Approx. 131 minutes
XAVC-L 35 mode -
When using QD-G128A (128 GB) Approx. 374 minutes
When using QD-G64A (64 GB) Approx. 187 minutes
XAVC-L 25 mode -
When using QD-G128A (128 GB) Approx. 524 minutes
When using QD-G64A (64 GB) Approx. 262 minutes
MPEG HD422 mode -
When using QD-G128A (128 GB) Approx. 262 minutes
When using QD-G64A (64 GB) Approx. 131 minutes
Media
Media Card Slots : 2 x XQD, 1 x SD (for configuration data only)
Input and Output Connectors
Audio Input : 2 x 3-pin XLR, Line/mic/mic +48
Mic Reference : -40. -50. -60 dBu, SDI Output, 2 x BNC HD/3G-SDI, SMPTE 292M/424M/425M
HDMI 2.0 : 1 x Type A
USB : USB device, miniB
Headphone : 1 x Stereo mini jack, -16 dBu 16 Ohm
Remote : Stereo mini jack (D2.5 mm)
Power
Power Requirement : 12 VDC
Power Consumption : Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Battery Operating Time :
BP-U30 Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U60 Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U90 Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
General
Temperature : Operating 0 to 40oC (32 to 104oF), Storage -4 to 40oC (-4 to 140oF)
Dimensions : 156 x 239 x 247 mm (6.14 x 9.41 x 9.72 in)
Weight :
2.0 kg (4.4 lb) Body Only
4.4 kg (9.9 lb) Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card
In the Box
Boyd Cap
Viewfinder
Eyepiece
Grip Remote Control
USB wireless LAN module IFU-WLM3
Wireless remote commander (RMT-845)
WA Adaptor Bracket
MPA-AC1 AC Adapter
BC-U1 battery charger
BP-U30 battery pack
Power cord
USB cable
Operating Guide
CD-ROM
Sony PXW-FS7 Manual
Viewfinder
Eyepiece
Grip Remote Control
USB wireless LAN module IFU-WLM3
Wireless remote commander (RMT-845)
WA Adaptor Bracket
MPA-AC1 AC Adapter
BC-U1 battery charger
BP-U30 battery pack
Power cord
USB cable
Operating Guide
CD-ROM
Sony PXW-FS7 Manual